Remarkably enough for Manchester the weather held. Two days of something you could call 'summer' and not breach the Trade Descriptions Act. Perfect conditions for dandering around, camera and notebook in hand, recording impressions of the city and formulating an all-emcompassing theory as to what's made Manchester so integral to the last thirty odd years of British music. The problem is that the city described in all those Factory retrospectives is not the city I'm living in now. The Granada TV studios that Tony Wilson called home may not have changed that much but pretty much everything else seems to have.
Manchester is awash with new developments, most of which were no doubt accompanied by sales brochures promising the same as the Hacienda's. I can't really comment: the flat I live in is part of a block in the Northern Quarter that was at one time a warehouse of some kind or other. As I roamed around the city I couldn't escape the feeling that I got here at least twenty years too late. I still get to play at living in the 'bohemian' part of town but it looks as if the city that seduced me from afar as a teenager no longer exists.
I probably haven't been here long enough to write about the city anyway. Chances are I'm not looking in the right places, or maybe I just need the right guide to take me out there and show me what Manchester is truly about.
Makes me wish I'd spent my formative years wreaking havoc in Manchester, instead of hanging round Warrington... Close enough to have enjoyed the likes of Shed Seven, Seahorses, Shirehorses and other 90s indie bands in their peaking era though. John Squire plays like no one else I've seen.
ReplyDeleteGod bless Manchester and the fine music it spawned